Think of a pop/rock song with two vocal parts where at least 30% of listeners would disagree with the other 70% about which part is the melody/lead. Call/response not allowed, needs to be simultaneous harmony vocals. Octaves not allowed either (though I can’t think of a clear case where that’s an issue).
[G#m7]You used to [C#]tell me, we'd [F#m7]run away together
[Bm7]Love gives you the [E]right to be [Amaj7]free.
You [D#7]said be [G#]patient, just [C#maj7]wait a little longer
But [Bm7]that's just an old fanta[E]sy
If you’re keeping track of non-diatonics, that’s two III’s, a #IV, and a a VII.
Summary of quality things that happen:
I never object to a vi → II.
That III7b5 going into the chorus. None of the transcriptions I can find online even mention the b5 in this chord, which makes me sad. I also don’t quite know whether to call it a b5 or a #11 or what the difference is.
Because your [C]kiss, your kiss, is on my list
Because your [Eb]kiss, your kiss, is on my list
Because your [F]kiss is on my list, of the best things in [C]life
This is clearly in C, so it’s I bIII IV I. Something simple I can get behind.
My [Cm]friends wonder why I call you all of the time
What can I [Fm]say
I [Ab]don't feel the need
To [Bb]give such secrets a[C]way
This verse seems to start in C minor and end in C major! I think a while ago I wrote something about songs that exist somewhere in between a major key and its relative minor (like the verses of One Headlight, or Just What I Needed), but the verse of Kiss on My List exists somewhere between a major and its parallel minor!
I guess you could say the verse is in Cm, and ends with a Picardy third. But then there would be a key change, and I’m reluctant to call the transition from verse to chorus a key change. Alternatively, you could say the verse is in C, but the C major chord is jarring enough that I’m reluctant to call it the tonic.
I guess harmony is something that defies strict classification.
One could also consider the bIII, bVI, and bVII chords (my favorite ones) as coming from the parallel minor of a major key, so maybe this isn’t as interesting as I first thought. But actually playing the minor i seems less common.
Unfortunately, the instrumental guitar part later in the song is terrible.